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PROFESSIONAL AUDIO COURSES
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Introduction:
Welcome to our courses:
Where you will learn the theoretical and practical foundations for the handling of teams of audio specialized professional and Software. Familiarizᮤote with its general use, I practice, artistic and creative.
Bases and foundations:
Our course this laid the foundations in the best curricula of Sound of the world, as they are emitted by Cristopher the Knight Ingeniero in Sound and professor of the Universities Oregon School of Music and University of Sound Arts of Los Angeles the USA, John Sisti professor of Recording in Berkeley School of Music, Boston, Alex Vertikoff, Engineer in Sound and professor of Los Angeles Recording Workshop Manuel Recuero, University professor of Acusticaa and Antonio J. Rodriguez, titular Professor of Electroac?a, both of the sanctioned Institute of Radio and Spanish Television. Carl Anthony of TEAC, John M. Woram, Recording Engineering and Editor of db The Sound Engineering Magazine, Tommy Aperia our Engineer friend in Sound, composer, exceptional musician and professor of the University of Uppsala in Sweden, director of Europe International Studios.
Special gratefulness to the Engineers of Recording: Bruce Swedien (Muddy Waters, Duke Ellington, Quincy Jones), Bill Bottrell (E.L.O, M. Jackson), Eddie Kramer (Woodstock festival, LED Zepellin, Goes Pull ahead), Dave Reitzas (Natalie Cole, Barbara Streisand, Whitney Houston, Tom Jones, Frank Sinatra), Bob Clearmountain (Rolling Stones, Bruce Springsteen, Bryan Adams), Richard Dodd (Roy Orbison, Little Richard, George Harrison, Joe Cocker), Ed Charney (Elton John, Bob Dylan, Eric Clapton), David Boulton (music for films, Disney, Spike Lee, Oliver Stone), Jerry Masters (Gospel music), Tuck & Patty (Windham Hill record), John Anderson (Yes), Brian May (Queen) and all those musicians, engineers and producers that have had the spirit greatness to share their knowledge experiences and discoveries in our art in common.
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Many people have asked themselves if the remote Education is as effective as the actual traditional Education. The investigation in the developed countries has demonstrated that the remote Education is so effective, or even superior to the actual education, when the methods and technologies are appropriate for the course that is desired to take. This has taken to most of the universities of Europe and the United States, to distribute remote courses and seminaries of pre and post degrees, such as: Bachelors, Diplomados and Masters that include almost all the range of the human knowledge. Our classes are constantly in update. The versions of our courses correspond to year 2008 so that they include I complete it in sound concepts, recording, masterizacion, amplification, software, etc
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? Professional seminary Sound Technology, updated version
2008:
Courses for professionals and fans in the handling of equipment of
AUDIO SPECIALIZED PROFESSIONAL and SOFTWARE.
Designed basing on the concepts and advantages to us of the remote education for those interested that they cannot physically participate in our Academy.
He consists of the professional formation in the use and dominion of the theoretical, technical and artistic foundations following he himself agenda of our course of RECORDING ENGINEERING. In the course of the course the student will have to make several tasks of understanding and musical analysis. As also tasks you practice with the use of specialized digitalis software audio (including with the course) When finalizing its instruction the student will have to render a final examination in which he will measure his knowledge and that he will give right his I title of: SOUND ENGINEER
Contents:
1. INTRODUCTION TO THE SOUND.
2. MIXERS, UNIVERSAL CONSOLE HANDLING.
3. SOUND EFFECTS.
4. MICROPHONES, TYPES AND USES.
5. AMPLIFICATION AND LOUDSPEAKERS.
6. ACOUSTIC ARCHITECTURE.
7. RECORDING, MIXES AND ANALOGOUS AND DIGITAL MASTERIZACIӎ.
Duration of the remote course: A semester.
Value of the course: € 300 euros.
This value includes:
1. The WRITTEN MATERIAL. ONE COMPLETE GUIDE OF STUDY with abundant graphs to assimilate the theory of the operation and the artistic application of the components of an analogical and digital Recording studio.
2. COMPLETE AUDIO VIDEO AND INFORMATION with fundamental indications, to include/understand the equipment of a RECORDING STUDIO and to use technique artistic and teams of audio professional consoles, microphones, multieffects, compressors, amplifiers, etc.
3. ONE COMPLETE MUSICAL LIBRARY to analyze. And to guide itself in the process of election of technical and artistic parameters.
4. A PROFESSIONAL SOFTWARE TO MAKE RECORDINGS multitracks and masterizacin the computer, accompanied by one complete GUIDE to remember the techniques of recording and different edition possibilities.
5. PROFESSIONAL SOFTWARE TO COMPOSE MUSIC of quality, in simple form, in different styles, traditional and modern. In addition software in complete Versions and of test to record, to publish, to create and to write music, such as: COOL EDIT, SONAR, FRUITY LOOPS, REASON, WAVE REPAIR, MOZART and WINAMP
6. CONSULTATIONS ON LINE, via email the 24 hours of the day.
7. The value includes in addition: EXPENSES OF MATERIAL SHIPMENT AND LATER PROCESS OF DEGREE. BY CERTIFIED MAIL ASSURED.
i
Recording Engineering
ACTUAL COURSE IN SANTIAGO OF CHILE
Our courses and seminaries are based on modern used sicopedagas techniques in other institutions of proven effectiveness as it is the case of LOS ANGELES RECORDING WORKSHOP, in California the USA with their courses of Engineering of Recording of 5 weeks. Modern technologies of learning thanks to which the student learns in a pleasant and consistent atmosphere to work with the own technology of the study, at the same time that face the understanding and treatment of different musical styles that they go from Classic music, Pop music, Jazz and Rock (to name some styles).
The classes widely are documented with written and audio-visual information. In the case ours, we used in addition style ATELIER of education, used in Europe from the Renaissance to our time for the safe and productive education of any Art. This obtaining itself making the classes in UNIPERSONAL form, Professor and student. The disciple learns to his rate without being compared with the rates of others, the classes are of a single student. The goal is to transform into a RECORDING ENGINEERING that is as it is denominated to those who exert our art to make musical productions with knowledge, wisdom and professionalism.
Objectives:
To enable and to credit to young people and adults in the handling of teams of audio professional such as Mixers (consoles), Microphones, Amplifiers, Effects of Sound, Loudspeakers, and all the components in the chain of used equipment of sound more at the present time. Working with professional equipment and making recordings and live mixtures in different musical styles. Approaching the works not only from a perspective technical, but merely artistic compenetrando itself with the secrets of this profession used by the producing and musical Engineers who have marked the development of the musical industry during last the 50 years.
To handle technical and artistic and sicoacusticss criteria, to make recordings, mixtures and masterizaciones of sonorous and musical programs of optimal quality.
To include/understand fundamental principles of acoustic Engineering for the prevention and quick resolution of problems. Understanding and using the technical and musical slang for the communication with the artists and other professionals of the area
To stimulate the analysis and the musical artistic creativity using the technology like tool. Laying the foundations solid bases for the understanding of new emergent technologies
To facilitate the process of learning and necessary degree. Applying the system of unipersonal classes in the recording studio.
To promote a guessed right vision but of which it represents our musical art making the knowledge without inadequate delays of the times and contents accessible that includes/understands.
Summary of Contents:
SOUND, SICOACUSTIC, ELECTROACUSTIC, MIXERS, MICROPHONES, LOUDSPEAKERS, AMPLIFIERS, EFFECTS SOUND, RECORDING MULTITRACK, MIX, ANALOGOUS AND DIGITAL MASTERING, USE OF SPECIALIZED SOFTWARES, ASSEMBLY AND CALIBRATION OF A PROFESSIONAL RECORDING STUDIO.
Requirements of entrance:
To have approved ours
PROFESSIONAL SEMINARY OF TECHNOLOGY IN SOUND. (or equivalent level)
Duration of the actual course: 5 WEEKS INTENSIVE,
Total value of the course: € 2500 euros They include Registers, Diploma, Certificate and complementary didactic material; Apuntes and CD's of auditory training for each participant. Hours and tapes of Recording studio, Transfers and Visits to other recording studios and/or Radio.
The students who approve this course make creditors to I title of:
RECORDING ENGINEER
Important note:
For SOUND ENGINEERS, who lack the time and resources to travel until Santiago of Chile our remote course RECORDING ENGINEERING are an excellent alternative, reasonable and very economic that we presented/displayed to them next:
new course ENGINEERING OF RECORDING IN SOUND at a distance!
Taking like model the remote courses from the Salford University from England, Berklee from the USA, SAE of Australia, UNAED of Spain and thanks to the participation of our old and new collaborators we initiated our new course: RECORDING ENGINEERING at a distance.
Our new remote course RECORDING ENGINEERING is net AUDIO ENGINEERING where we will work with software professional of audio and will see in depth the fundamental elements of a study of AUDIO PROFESSIONAL, also we will see very many tricks and secrets of several decades of producing and musical engineers. The application practices of the proportions of EQUALIZATION, COMPRESSION, EFFECTS, PANNING, AND MIXTURE RATIOS according to each instrument and musical style to obtain results of great quality in recording and amplification of audio.
REQUIREMENTS OF THE COURSE:
To have approved our previous course: PROFESSIONAL SEMINARY OF TECHNOLOGY IN SOUND or to have a level of equivalent knowledge.
IMPLEMENTATION NECESSARY TO TAKE THE COURSE:
Computer Pentium type, with a minimum 256 in ram and 600 mhz of speed, with kit basic multimedia: cd player and a pair of basic loudspeakers. In addition for the work to final evaluation a recorder of CD for the final mixtures.
CONTENTS OF THE COURSE:
1. MANUAL OF THE ENGINEERING COURSE
2. AUDITORY COMPLEMENT: Cd's with innumerable examples related to the manual of the course
3. TRACKS TO WORK IN THE STUDY: Material multitrack to work with the given professional softwares next to the course and for the works of final evaluation: CLASSIC ROCK, STANDARD JAZZ, OPERATE, BALLAD, FOLK, INSTRUMENTAL JAZZ, HEAVY ROCK, MATERIAL OF TV. Single material wav to analyze and to publish: DRUMS, VOICES TO CAPELLA, FLAMENCO, JAZZ, ROCK.
4.SOFTWARES OF the COURSE: A complete Seth of softwares between which we included ADOBE AUDITION, COOL EDIT, SOUND FORGE and JAMMER PRO among others, that constitute a modern recording studio. The installation requirements are basic a Pentium computer.
5. Manual annexed material, and Bibliography of reference for Engineers but of 1000 pages with complete guides and tutorials of software but used in AUDIO ENGINEERING.
GUIDELINES OF EVALUATION OF THE COURSE
The evaluations of the present course will be mainly YOU PRACTICE, and will depend only and exclusively on their abilities of understanding of the fundamental matter of our art.
They are 3 tasks to make:
TASK 1: To make a CD MASTERS, according to 2 attached discs in version multicrushes for ADOBE AUDITION o COOL EDIT discs will have artistic and to be technically mixed according to each one of its styles. And our specifications for each case. The styles with the information multicrush are: IT OPERATES, STANDARD JAZZ (vocal), INSTRUMENTAL JAZZ (saxo), ROCK HEAVY, CLASSIC ROCK, POP BALLAD, FOLK, ETHNIC. These subjects will have professionally to be worked mixed published and masterizados with our softwares according to the indications that we will give him during the course. In addition you would deberan to add 2 subjects recorded and mixed by the student, indicating in separate leaf the technical and artistic implementation and criteria, used in its recording
VALUE OF TASK 1 = 80%
TASK 2 Realizar background in program JAMMER following the instructionses given by the school. This recording will have to be kept like file MIDI, and to be sent for its revision via mail or in attached diskette to the other tasks.
VALUE OF TASK 2 = 20% TASK
3 MEMORY TO CHOOSE TO I TITLE RECORDING ENGINEER:
Its memory, a written work, will turn on a subject given by the School and related to the operation of some basic subject of audio that we will assign to him like for example one of the softwares with which the student already will be familiarized to make this memory, we will give the bibliographical written material him, graphical and annexed related to the subject so that the future Engineer in Audio elaborates it.
This work will be of an extension of 30 pages like minimum, and indications with respect to the format were used given by the School: Type and size of letter, interlineado between paragraphs, etc.
This memory will be printed in black and white fastened with rings or bound or with its subject leaves of some form and shipment to our School, next to the CD or cassette with the masterizaciones and the work of musical composition MIDI
FINAL NOTE
The value of the memory divides equally with the value of its tasks constituting its final note. The minimum value to approve the course is of a 65%
TERMS TO MAKE THE COURSE
The student will have the maximum term of a year to make all the course including the process of the examinations and memory of degree to choose to the title of Engineer.
VALUE OF THE COURSE
This annual course has a total value of € 770 euros, , includes all the material, its shipment by mail certified paid from Santiago of Chile and the later accreditation, certification and shipment of title in case that the student approves the course. All the students have a service of permanent customized pedagogical consultant's office through Internet
The payment of the course takes place through WESTERN UNION
the
The students who approve this new course remote make
creditors to I title of: RECORDING ENGINEER Fill card register and send us to : Freireramon@gmail.com 1 Course interested
: 2 Full name: 3. Date of birth: 4. number of card or passport: 5. Civil state: 6. Adress: 7. phones number: 8. e-mail: 9. Profession: 10. Do you play musical instrument?(mencione it): 11. Favorite musical styles: 12. Read music? 13. Compose music? 14. Do you use professional audio equipment?
? 15. Do you have PC or MAC? 16. Do you use software of audio?(mencione it): 17. Do you have access to Internet? 18. Do you understand another language?(mencione it): 19. Do you Made Courses related to our subject?(mencione it): 20.What is your level education?basic, medium, high? * REGISTER AND ENROLLMENT
Send the value of the course through
WESTERN UNION or FED EX to name of: Ramon Freire Flores,
Santiago of Chile. And send he code of
the wire transferi to freireramon@gmail.com . Our students are mainly young and adult who belong to
diverse cultural means and come mainly from Latin American countries Pablo Esteban Striking Leon, QUITO
ECUADOR, Engineer of Recording, One of our but outstanding students,
has as much participated in live amplification in mega international events,
tours, disc productions and design of acoustic facilities. Demonstrating to
a total dominion in the handling of all type d and equipment d and audio and
specialized softwares, and one great human quality. ? ? ? Luis Alberto Allende, Santiago of CHILE ?or
MANY years that I have my study and I made the course of the School of Music
and Technology in Sound of Ramon Freire. When they were in his old direction
in the Cultural Corporation of Ñuñoa in Chile In its classes I learned to use
the machines immediately since he is very dynamic practitioner and. The course is enough complete since the dominion of all the
areas is taught. For me this is important since today my study has
implementation of last technology and I must be up-to-date ". Study M.C.M. Record, Services of Digital recording,
Rooms of Test full equipped and Amplification of events San Martin 140, the
Farm. Santiago of Chile Phonos (56) (02) 5417472 - 09 7667074. Jorge Vargas Maturana, Santiago of Chile I obtained my title of technician in sound in Institute AIEP,
nevertheless were several things that it did not know clearly at the time of
finishing my studies. With Ramon I obtained the title of Engineer of Recording
and knew the part artistic, that is the true art to record, the beautiful side
of the subject. Several years ago I was in charge of the Recording studio of
the Cultural Corporation of Talagante and have made hundreds of recordings,
to musical groups. email: jorvarmat@hotmail.com 09 5517200 Luis Eduardo Z, Santiago of Chile " Something knew of sound
before making the course of Engineering of Recording, since I studied Audio-visual
Communication. I have always liked east atmosphere since I touched to electrical
guitar several years in different musical groups. As Engineer in Recording I
have made several works with artists such as the group Arena
Movediza legendary group of Chilean rock classic who are doing a disc
in my study commemorating their 30 years of race, and also this year I have
been making the sound for Charles Labra of the famous group
folk Chilean Sol y Lluvia" LASER study RECORD. Balmaceda 03498, It Mirror. (56) (02) 5649173, cel
096405964. Laserrecord@hotmail.com Alvaro Gomez, Santiago of Chile, I am drummer of a rock
and roll group and, since he was small, I it has always liked this wave of music
and the sound. Now I have my own room of recording. I studied in Institute VIPRO,
but I did not like much. With the course of Engineering of Recording with Ramon
Freire I already learned to handle the machines very well and now I dedicate
myself to this, to music. SOMETHING RECORD, recording studio and rooms of test Ricardo 482 Matte
Providence, (56) (02) Santiago of Chile email: algorecords@entelchile.net Gustavo Roberto Costantino, Cordova ARGENTINA I successfully
make the remote course PROFESSIONAL SEMINARY OF TECHNOLOGY IN SOUND from Cordova,
ARGENTINA. With his enthusiasm and excellence in his dedication to this art,
it has made of the sound his profession. STUDY: Street 12 N 32 B* IPV
ORDO'хZ - CORDOVA Phono: 0351-156766753/03534-493314.E-mail: stevencba@hotmail.com
more students around the world: Andres Cevallos Neira Ozone Park,
New York USA, Alejandro Jose Zavala Rojas Antofagasta CHILE, Antonio Manuel
Romero Sanchez Barcelona, ESPANA J. Mario Alexis Guima Gushiken JAPON , Pedro
Arnaldo Vargas Rivera Ovalle CHILE, Armando Quezada Lopez Durango MEXICO, Guillermo
Leonardo Santis Matus, San Antonio CHILE, Cesar Alexis Santander Quino La Paz
BOLIVIA, Pedro Elias Castillo Calbullanca Canete CHILE, Fabiana Cecilia Zambrana
Caceres Santa Cruz de la Sierra, BOLIVIA, Felipe Andres Franco Arenas Medellin
COLOMBIA, Enrique Antonio Silva
Gil Guayaquil ECUADOR Manuel Francisco Cisternas Munoz. Monte Patria, CHILE,
Sebastian Patricio Jorquera Hernandez Estocolmo, SUECIA, Pablo Esteban Leon
Gallardo, Quito ECUADOR Francisco Gonzalez, Pereira COLOMBIA, Cristian Valle
Brito Punta Arenas CHILE, Fernando Ismael Perlo Cordoba ARGENTINA, Gonzalo Omar
Maldonado Chauca Arequipa - PERU, Carla Andrea Gonzalez Vega Curico CHILE, Esteban
Elias Farias Aguayo Curico CHILE, Guillermo Bustamante Arcila Antioquia, COLOMBIA,
Juan Carlos Aguilar Ojeda Punta Arenas CHILE, Jose Manuel Basualto Bravo Santiago
CHILE, Gustavo Roberto Costantino Cordoba ARGENTINA, Sebastian Carlos Ganan
Matus Ancud CHILE Eduardo Alexis Cruz Lobos Quillota CHILE , Hugo Leopoldo Rico
Herrera San Salvador EL SALVADOR, Gonzalo Alberto Pinto Lobos Concepcion CHILE,
Ignacio Antonio Molino Carles PANAMA,
Patricio Andres Silva Erazo Santiago Chile, Irwin Falomir Estrada MEXICO Df,
Juan Pablo Gorgas Curitiba BRASIL, Kenji Alexander Montoya Budiel Arequipa PERU,
Edgardo Mauricio Iriarte Videla Mendoza, ARGENTINA., Randall Nina Arequipa PERU,
Rolando Salizar Carrasco Cuzco PERU, Ulises Luis Quiroz Rodríguez La Paz BOLIVIA,
Ruben Esteban Carvajal Muthre Quito ECUADOR, Sergio Soliz Urrutia La Paz BOLIVIA,
Cristobal Pohlhammer Prieto Santiago CHILE, Neil Alejandro Astudillo Santibanez
Quillota CHILE,Wilmer Ruben Ayala Pijal Quito ECUADOR, Byron Villacreses Villacreces
Guayaquil ECUADOR, Luis Katsumi Omote Montoya, Arequipa PERU. Ramon Molina Orellana
Santiago CHILE, Eugenio Antonio Olea Vicuna Santiago CHILE, Felipe Andres Rodriguez
Aros Santiago CHILE, Kenji Alexander Montoya Budiel Arequipa PERU, Eduardo Quezada
Flores, Buin CHILE, Claudio Salas, Koping SUECIA, Aldo Corbo Monje, Rivera URUGUAY,
Jose Medina, Bogota COLOMBIA, Alex Orellana, Ibarra ECUADOR, Pedro Leon, Quito
ECUADOR, Claudia Sierra Reyes, Thuringen AUSTRIA, Giovanni Estrella, Quito ECUADOR,
Daniel Peralta, Guayaquil ECUADOR, Christian Escobar, Quito ECUADOR, Marcelo
Luz, Montevideo URUGUAY, Ricardo Espinoza, California USA, Ignacio Molino PANAMA,
Boris Llerena, Guayaquil ECUADOR, Francisco Carrasco, Murcia ESPAÑA, Omar Vergara, Estocolmo, SUECIA, Luis Omote,
Lima PERU, Jose Luis Morales, Quito ECUADOR, Rene Ivan Loredo Navas Cochabamba
BOLIVIA, Hugo Clemente Jancko, Potosi BOLIVIA, Jose Luis Valera Perez, Florida
USA, Fernando Plaza Vargas, Nueva York USA, Jose Luis Chacon, Poruguesa, VENEZUELA,
Diego Peñarreta Cuenca, Loja ECUADOR, Gabriel Anabalon Marchant, Machali CHILE,
Miguel Omiste Nava, La Paz BOLIVIA, Alex Orellana Arichavala, Ibarra ECUADOR,
Claudia Sierra Reyes, Thuringen Vor Alberg AUSTRIA, Christian Escobar Veira,
Quito ECUADOR, Marcelo Luz Fernandez, Montevideo URUGUAY, Ricardo Espinoza Foncerrada,
California USA, Delsie Kennedy, Tenesse, USA, Rene Rozas Pacheco, Maipu CHILE,
Angelo Fuentealba Arcos CHILE, Francisco Torre Hernandez CHILE, Miguel Cubillos
Ocampo COLOMBIA, Maciel Martinez Reyez, Bellwood USA, Daniel Belmonte Velarde
BOLIVIA, Juan Balderas Lopez, BOLIVIA, Luis Visitacion Q PERU, Remy Sarabia
Rojas BOLIVIA, Gustavo Guizado M ECUADOR, Pablo Sanchez, California USA, Alba
Castro Garavito COLOMBIA, Leonid Leyva Ramirez COLOMBIA, Nelson Cordova Mercado
BOLIVIA, Juan Pablo Benitez COLOMBIA, Lisandro Adianolfi URUGUAY, German Duran
Valdes CHILE, Diego Vargas Mahecha COLOMBIA, Sebastian Torres Noemi CHILE, Leonardo
Zamora Arjona CHILE, Carla Moggia Tascheri, Viña del Mar CHILE, Alvaro Vaz Menendez
URUGUAY, Felix Piazzoli Moreira URUGUAY, Gerardo Ramirez M California USA, Graciela
Edith Nakasone, URUGUAY, Marco Ponce, Las Vegas USA, Julio Trujeque A MEXICO,
Leonardo Sanchez P COLOMBIA, Yuri Ore Diaz PERU, Gonzalo Perez Gaete CHILE,
Juan Carlos Pena Cordoba ARGENTINA, Vicente Paredes Larrea ECUADOR , Alejandro
Argollo Mamani BOLIVIA, Rafael Camacho Gallegos MEXICO, Jerson Jimenez Puentes
COLOMBIA, Hernando Diaz Hernandez COLOMBIA, Hugo Clemente Jancko BOLIVIA, Henry
Leiva HONDURAS, Geovani Mercado L COLOMBIA, Jaime Cruz COLOMBIA, Nelson Morales
Castro COLOMBIA, Andres Rodriguez Rojas COLOMBIA,Mauricio Coronel Verdin MEXICO,Hernan
Andrade ECUADOR, In year 1993 we
initiated our courses and seminaries in the Faculty of Arts of the University of
Chile, with the auspice of famous company TEAC-TASCAM of Japan, through its
representatives in Chile and of their own president Norio Tamura. Thus
initiating our Academy. The SCHOOL OF MUSIC AND SOUND TECHNOLOGY next to
their director and collaborator, have participated in numerous opportunities
giving consultant's office in the musical and educative projects of the
Department of Culture of the Ministerial Secretary of Education
presenting/displaying their technical and pedagogical collaboration, taking
education to diverse institutions of Santiago of Chile. After 2 years of
operation, with date 24 of March of the 1995, the Department of Culture of the
Ministerial Secretariat of Education of the Republic of Chile granted its
Sponsorship to us, which figure in our diplomas and certificates until
today. In December of
1996 the recognition came to our educative work by means of a premiacihat I am
made in the Hotel HYATT REGENCY of Santiago. Organized by the Own Department of
Culture of the Ministerial Secretariat De Educaciand the FAIR OF the DISC, the
distributing company of important music but of Chile. The 19 of November
of 1998, came the accreditation from EUROPE INTERNATIONAL STUDIES, granting
their recognition like Recording Engineering to Ramon Freire Flores, founder and
director of the MUSIC SCHOOL AND TECHNOLOGY IN SOUND certified by the Engineers
of Sound Tommy Aperia and Sven Ardonius of SWEDEN. Soon other recognitions came
and collaborations for our academy, which has been translated in a invaluable
benefit for our students, we also have lent collaboration as well giving our
support to different institutions through our permanent consultant's office to
which they ask for it. In Julio of the
2000 we were invited to the Kingdom of Sweden, by Tommy Aperia, legendary
musician, composer, winner of several GOLDEN RECORDS, Engineer in Sound,
Professor of the prestigious University of Uppsala where valuable
pedagogical material was donated to us to benefit the students who participate
in our courses. Similar
collaboration we were in other countries, thus extending our sphere of
influences in education and international collaboration, for direct benefit of
all those that participate with us. Located next to
beaches of Rio de Janeiro, with several GRAMMY prizes to its
salary and artists of the STING
stature. . Preferred by
Engineers of recording like EDDIE KRAMER, a legend by his
creative work like engineer in productions of artists like LED Zepellin,
Jimmi Hendrix, Santana, They go Pull ahead, Steve Vai, Peter Frampton, The
Rolling Stones, The Beatles, John Lennon, Eric Clapton, Buddy Guy, Traffic,
Peter Frampton, Carly Simon, Joe Cocker, Johnny Winter, David Bowie, The Cure,
Bad Company, Whitesnake, Dionne Warwick, John Williams, Sammy Davis,
and the mythical festival of WOODSTOCK, between a myriad of
musical stars for all time. In the photo its owner our friend
Andre Rafael and Ramon
Freire. Also our participation
in numerous musical festivales has asked for us that are made frequently in
the summery station in our country. . It arrives:
The mayor of Counts Francisco of Maza, the legendary one showman Peter Rock
and the conductors Juan Az?d Horacio Saavedra. Down: Manolo Palma ex-
student and manager of famous artists, the entertainer Jose Alfredo Fuentes,
the mayor of Santiago Joaquin Lav�and the Tatiana singer Busts At the moment we
have own Facilities, agreements with other studies, for educative aims. We made
live seminaries in different institutions. And in any place of the orb where our
presence is required. And obvious in INTERNET our courses at a
distance. With date 2 of
November of the 2000, the Government of Chile through Department of Culture Of
the Ministerial Secretariat of Education gave to a new recognition and
sponsorship to us, Left:
Miriam Diaz of the Ministerial Secretariat of Education, Andrea Molina
entertainer and actress of TV, Pablo jazzista Lecaros and Felipe Camiroaga,
entertainer of TV. Right: the
famous Choral guitarist Carlos and his wife the Denisse singer
Now in the present
we took professional Education beyond our borders, thanks to our parents,
friends and collaborator, and to that invisible light that guides us by the way
of the life. Ramon Freire Flores, Musician and Recording Engineer of
credited by Europe International Studios de Tommy Aperia, Upssala, Sweden.
Professor of the Cultural Institute de Las Condes, Cultural Corporation of
Nunuoa;and the School of Music and Sound. Technology Director of FREIRE Records Has dictated to his courses and seminaries for different countries. And
Latin America through the international Chain of Television CMC and the
seminaries at a distance. It has dictated to char them and conferences in the
University of Chile, University of Santiago and University del Desarrollot.
And in diverse public and deprived Institutions. Participating in addition as
Engineer to Recording and Mixtures in musical productions of varied
styles. SCHOOL OF MUSIC AND SOUND TECHNOLOGY Of Ramon Freire
Flores Garibaldi 9091 Santiago of Chile, cp 8000170, phono (56) (02)
5275388 It sponsors: Department of Culture of the Ministerial Secretary of
Education Metropolitan Region, Santiago, Republic of Chile, South
America. email: freireramon@gmail.com Interviews made by journalist Paulina Valdivieso Scholz for Ramon Freire
Flores and the SCHOOL OF MUSIC AND SOUND TECHNOLOGY Photographs: Adriana
Rosenberg Brikisak, Paulina Valdivieso Scholz, Tommy Aperia, Municipality of the
Counts and personal archives of Ramon Freire
Flores. Webmaster ARTMAGIC December
2007go >Card
of Inscription and Matriculation: *
go
Our students:
Between his shows
made emphasizes TO the DIMEOLA, ALEJANDRO SANZ, MIGUEL BOSE, CHAYANNE,
SPINETTA, ARJONA, FITO PAEZ, JUAN GABRIEL, MERCEDES SOSA, LA LEY, INXS, CHARLIE
GARCIA, LEONARDO FABIO, DIEGO TORRES, CRISTIAN CASTRO, CARLOS VIVES, ILEGALES,
ALEJANDRO FERNANDEZ, PROJECT 1 and several but. Between its discs they emphasize:
METROPOLITAN SYMPHONY ORCHESTRA, ARPEROS OF BOLIVIA, ALTIPLANO OF CHILE, MAURICIO
VICENCIO, CHIMERA, AMBASSADORS OF the JAZZ, and several discs to religious
groupings and fans. Between its works of design and acoustic installation is
the THEATER NACIONAL SUCRE. For greater information: estebanlg@hotmail.com
Passage B N 61-40 and Nazareth Quito-Ecuador (593) 99008195 (593) 22596738
Salomon Diaz G, of Santiago of CHILE one
of ours first students and but the outstanding one in sound live. Sound engineer
of one of the companies of audio but great of Chile Stecher Sound, and of producer
GEMINIS. With a great play trajectory and all type of megaeventos:
National stage of Chile, Stage Victor Jara, Theater Providence,
and many others. Habitually it handles to systems as diverse MEYER and consoles
as YAMAHA p.m., SOUNDCRAFT EUROPE, MIDAS, etc. Salomon she
is in addition sound engineer to the famous drummer of jazz Pancho Molina,
ex- member of the group LOS TRES, and present HOLDERS,
has made live sound in almost all Chile next to as outstanding musicians as
Cristian in trompeta Pedro and, Cuturrufo,
chico Galvez in bass y Pedro Rodriguez in guitar.
Telephones (56) (02) 5480124 Cellular 09,1789473, www.salomonsonido.4t.com salitodiaz@yahoo.es
Julio Hiram Gonzalez, Havana CUBA, Designer of Sound
and Engineer, Grouping Compay Segundo and its Boys.
It has participated in many professional recordings of CD, as well as professional
sound in live presentations in America and Europe, also has made sound for radio
and TV with different other groupings from Cuban music. And in several festivales
between which they emphasize: Festival of Guitar of Havana,
Festival CUBAMANIA, PUENTE DE LA AMISTAD, CUBA and the United States
Contact: jhgo@hotmail.com
Sergio Alarcon A;San Bernardo, CHILE.
The interest by the world of the sound beginning from the adolescence, while it
practiced with my guitar treating to emulate the sound of groups such as
Santana, the Stereos, the Sonys, etc. When happening of the years already with
tranquillity I decided to study seriously this profession, finding me with the
School of Music and Technology of Sound of Ramon Freire, in who I learned the
world secrets so fascinating, thanks to its pleasant classes personalizadassu
end technology, and to their constant consultant's office until today. At the
moment I have my recording studio in which I have made several CD for sets Pop,
folkloric, solistas, melod� for Poems and sound for Plays. STUDY
SEGO Lomas de Mirasur passage Cerro Carpa 19344 San Bernardo phono
7249906 Sergioser10@ hotmail.com.
Carlos Paredes, Santiago of CHILE I am
musical reason why my interest as far as sound always was latent. To make the
course of Engineering of Recording in the School of Music and Technology in
Sound of Ramon Freire was very good since I learned enough good all the
necessary one. Something important is the later contact and until today I can be
communicated with my professor openly to clear any doubt. I traveled to
Australia to make some recordings in Canberra and Melbourne, today I have a
recording studio and room of tests, and walk touching to my guitar with my own
backgrounds of Rock and Jazz made by my (backgrounds who also Wendish)? Study
PARMUSIC. Las nieves 434, Ciudad del sol , Puente Alto. Santiago of Chile phono
(56) (02) 3586297. Email parmusicstudio@hotmail.com 
Alvaro Jose Vald&es;Fernandez, Holguin, CUBA, work in
recording musical digital edition in the Laboratory of Electroacustica Music, the
Conservatory of Music and at the moment work with the group of Christian music
GNSIS DC and in addition in the project to study GNSIS PRODUCTIONS like
recording engineer. At a distance make in the School of Music and Technology in
Sound the Professional Seminary of Technology in Sound and the course of
Engineering of Recording in Sound. These courses are quite complete in addition
to the communication with professor Ramon Freire to consult doubts who causes
that one learns much more. I want to be thankful to him, to God, and Ramon
Freire to have allowed to me to study in its school of sound. Since with these
studies and been able to reach one of my greater dreams and thus to develop my
work of a much more professional way. Email: sibido@iglesiadedios.co.cu
Patricio Sandoval L. Osorno CHILE I am Engineer in
electronics with specialization in systems of audio and electroacusticos. Some
time ago back I put myself in contact with Ramon Freire to be able to make the
Professional Seminary of Technology in Sound, because it wanted to perfect my
knowledge in the area of the art of the sound. At the moment work in one of
the company of sound equipment but of great the south of Chile, RyR Sound
located in the City of Osorno, where work as mixture and Systems engineer And
mail:ryrsonido@msn.com 
Gonzalo Perez Gaete,
Ordered of Sound, from 1994, of the USACH, University of Santiago of
Chile. In the Magna Classroom of this institution
he has made amplification and professional recording and has participated in
the design and implementation of the systems of audio. Between the artists with
those who there are work emphasizes INTI ILLIMANI,
ORCHESTRA USACH, SINTAGMA group old music, DANIEL LENCINA,
JOE VASCONCELOS, ORCHESTRA OF TANGOS OF JAPAN, MAGDALENA MATTHEY and
many but. It has made innumerable events of classic music, jazz, rock, etc.
At the moment is in charge of the new hall events VICTOR JARA
of the university. And mail gperez_gaete@hotmail.com phonos 7763879 (of) 7631540
(house)
go History of our Institution: 
In August of 2007 we visited
AR STUDIOS, in BRAZIL, from where we brought a wonderful
pedagogical material to live include in the constant update of our courses and
remote seminaries and. 
go 
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